auf >playin me< präsentiert cooly g die ganze palette ihres sounds und rast von ihren manchmal melancholischen, manchmal romantischen songs ohne bremsen in richtung ihrer lauteren, bedrohlicheren tracks.

two extraordinary house edits by rising star hnny courtesy of new label no rights reserved. a super limited 12 that is already causing a stir in the hands of a few key players.
these stunning and effective steve reich and dorian concept reworks take the tracks into more dynamic, club-friendly territory without losing any of the magic of the original cuts.

2012 repress !! smooth and deep detroit house by patrice scoot atmospheric tracks with a lot of string and synth riffs amust have record for those who are into omar s and some of the scott grooves

the second in the series of 12 inch samplers featuring present and future classics from brooklyns monthly party, life, spring sampler 2012 #2 picks up where the first installment left off, deeper into the rabbits hole of the all-night underground parties at the infamous dope jams. curators and residents slow to speak offer here 3 remixes and re-imaginings of some of the finest technoid sleaze, haunted vocal anthemics and zulu-nation-endorsed hip-house perfection. spring sampler 2012 #2 is a snapshot of a life party at its most elevated, after the initiation and immersion is complete, the core party people convened, the sacramental beverages consumed and the full peak of the party unfolded in its full spectacle. previously, these exclusive versions have remained in the vault for protected and exclusive use by the life residents. made available through these limited samplers, slow to speak opens up for a rare snapshot into the heart and soul of their program—militant musical theses that drive these parties and make them something more special than the typical dance music burial rite.
comes on transparent orange-red, marbled vinyl.

limited edition heavyweight 180g 12 inch vinyl. bambounous mind is an enigma to mankind, the only matter is that everything that comes out of it is banging! this 2 tracks number doesnt break the rule… >night< is a garage flavored bass monster tune with hypnotic rave strings reaching out to your nervous system to push you deep into that one-of-a-kind sharpen beat… while >brawl< drops a grime/house percussive rhythm mayhem on our head, carried away by what they call a sub-bass, sub indeed, not for the laptop heads. bambounou pushed once again the boundaries a step further on this one, cuts so fresh you will need a blanket!

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

london based audio visual collective old apparatus have started their own label, sullen tone, with their first ep derren dropping in july. with two releases on dubstep pioneer malas deep medi label under their belt, and - in contrast - a tape of improvised electro-acoustic music for berlin-based the tapeworm, the group formed sullen tone to provide a home for old apparatus to elaborate and expand on their vision and allow the listener to be drawn even further into their compellingly beautiful yet destructive dystopian world.

nice price deal !!! sinistarrs take on the sounds of his native detroit has landed him releases on goldies seminal metalheadz imprint and won the hearts of discerning drum & bass heads and general beat-lovers alike, combining the sonic qualities and raw aesthetics of detroit techno and electro with jungles schizo rhythms.
hit and hope present sinistarrs first non-dnb excursion in the form of the >cetra ep<. despite jumping tempos and styles, all 3 originals manage to remain coherent with sinistarrs catalog. the emotive synth chords, beefed up roland trs and human production ethic of 90s detroit are squeezed into the format of various current underground sounds in something altogether very unique.
at 135bpm, the title track cetra is drawn out progressive structure nods more to a classic rephlex cut than the majority of current club, or bass music with despite sharing a tempo and similar rhythms.
early dj suport from om unit, goldie, gerry read and dark sky

in the context of shigetos debut lp lineage, >huron river drive< functions as a respite of sorts, a brief stop on the roadside of a very personal into the past. but as this single release proves, it also stands alone as a pleasantly understated piece of electronic beauty. the track swells slowly from the simple chord sequence of the intro into a lushly textured slice of late-night atmospherics – with more than a hint of jazz to be found in the brushed percussion and quietly tinkling electronic piano – and then receding back into the same sequence as the track draws to a close.

in june 2011 subtext recordings was restarted after a six year hiatus for the release of the second lp from emptyset, titled >demiurge<. this album represented a transition from the first two subtext releases, a pair of seminal experimental recordings from the groundbreaking duo vexd, switching path into a new terrain that allowed for the distortion and dissolution of the sequencer grid and shifted the focus of the label from the programmed to the composed.
through this development subtext recordings has evolved into a conversation between emptyset, the ex-vexd artist roly porter, and composer paul jebanasam, who has spearheaded the revival of the label. this new release continues this dialogue by commissioning both porter and jebanasam to respond to the material contained within >demiurge< and develop their own interpretations of the original album.

around might come as a surprise for many club-heads as noir usually produces club tracks and is now moving into the electronic songs area. however around makes the perfect transition for noir as it refletcs some of his trademark club-sounds mixed with the new melodic and more in-depth electronic sound.coming out on the 16th july , this 12inch vinyl contains two exclusive remixes from subb-an and the murked vocal mix along with the much loved solomon remix which was one of the hit singles of 2011.

years after delivering a remix for booka shade in 2006, shinedoe makes her solo debut on get physical this winter, bringing with her a wonderfully fresh sound in the form of her transcendental ep. she takes us to the tops of mountains and then drags the deepenst waters. light is a deep mix of techno cascades and funk groove. we build up momentum with piano and driving percussion toward a climactic break, then pull you further into the vibe. transcendental brings a treat of dazed synth and organic percussion. a trip into the music brings us to the dark rooms of late night. we are entranced with thick bass and hypnotic repetition throughout the course of the dancefloor friendly track. next we are immediatly entrapped by the muffle of cosmic, under a thick sheet of foggy ambience. vocal cuts stab the air, setting the pace for a sudden bass groove. the track is deep, solid and very detroit.

there must be something in the water of the canary island seas. something that turns quiet kids into tasteful buttoned-up hooligan experts in house music. >luxemburgo< is the huge vicario musique choon everyone was waiting for. a groovy sure shot which combines commanding ferocity and a delicate class in a way reminiscent of michael j collins early work, but also hints at alex & isaacs passion for house and mysterious funky vocals- almost ambient melodies a la lone, carried by a strong rhythm built on noble drums, unraveling the most >hands in the air< breakdown since the invention of putting your hands in the air.

the blinding truth, a foresight into the future. promo presents: true tones! set on a mission to take on hardcore in all its glory and darkness, promo delivers with style.
limited at 250 pieces, this is the 3 x 12 inch heavyweight vinyl edition of true tones, featuring album tracks and a brand new addition to the promo playlist as well as a personal message from the producer: no regrets (thank you)!

the second release on flight recorder is a truly international affair with a 4 track ep by innovative producers from italy, chile, australia and uk providing over 30 minutes of music.side a opens with mushrooms projects dense and beautiful psychedelic groover, whilst the second track continues with dany dorados deep and tough disco stomper. side b goes into deeper territory, with russell ventillas 303 bubbling under a throbbing bassline, then finally the closes with iron blus italo-tinged deep and psychedelic dancefloor mover.

a shuffling mix of acoustic guitar riffs, licks, natural percussion and of course razs well known melancholic vocal lines all come together to generate a country folk feeling of the 60s. a dampened kick drives the energy deep and harmonicas seep into our minds and set our soul on fire. a fresh track for a hot summer day on the lake. acid pauli takes the track and acidizes it by adding, yep, acid lines and a very direct kick. the track gains more of a main time vibe, heightened energy and deeper bass allow this track to hold its own in a variety of set styles. the final mix is an open air anthem delivered from the sorry entertainers m. rux and lotti. using percussion of the same natural flavor and incorporating dirty synth lines, the two produce a heavier mix worthy of both dancefloors and home listening.

almost two years after his stunning debut album release, john roberts is back with a wonderful journey into sounddesign, sample research and contemporary club music. as beeing inspired by the aural surrounding due to travelling around the globe- as a dj and author travellers almanach- the worlds finest magazine on our beloved and hatered jet set life- the paper frames ep contains some mixture of accoustic instruments, deepest bass levels and extraordinary rythm structures. according to john roberts, club music should be way more open minded and surprising. for those who are on the search for an advance approach of electronic music this one is the top match

afriquas first f4t release msgs, is an exceptionally deep house track dusted in warm tape noise and that showcases an effective minimal pulse. the melody resonates long after the track ends, an instant classic after the first listen.
shinigami sans interpretation pushes msgs into the techno arena, deconstructing and rebuilding the track with walls of noise bound by ethereal instrumentation and cavernous echoes. dirty and intense, this leviathan of a track should only be dropped with perfect, purposeful timing.

our seleccion natural compilation series is back in shape with this 6th instalment, featuring as always music from our all star team: oscar mulero, exium, christian wunsch and reeko.four fine cuts of futuristic techno, each one with its own particular mood and feel.the release starts with reverberation by oscar mulero, an intense workout beginning with a straight and dark beat, salted with precise sub bass frequencies. the track grows and evolves till fm bass galore takes over and synth drums and white noise infect the arrangement, taking intensity to peak levels.exium show their electro side in the second track no sign of weakness. they depart from 4x4 beats on behalf of broken beats with an industrial flavour and the traditional drones, dark atmospheres and moving arrangements they are known for.christian wunsch reveals his darker side in sleeper cell, based on an enormous kick, side by side with sharp hats, digital percussions and dark and sticky noises.lynx is reekos input into this 12inch. complex and intricate rhythms, thick textures, multiple layers of drums and a constantly evolving structure, dark and sharp at the same time.an excellent sample of contemporary techno created by four of the best european producers of the moment.dont miss it.

developer archive 2 is a brilliant balance in light and dark featuring 4 solid deep tracks going further into the realm of modern day techno written and produced by modularz label head developer

modularz 8.2 by developer & stanislav tolkachev is the second part of the 8 series with a special remix by british producer shifted. 8.2 gives a clear view on the versatility of modularz and dives into a deeper approach of late night hypnotic chord driven techno in its purest form. the modularz 8 series as been well-received by online press and print publications and also hugely supported by the elite techno talents of the world.

its time for class once again. students, take out your notepads, er, laptops. todays lesson is how to spin subtlety, emotion, and intelligence into slices of smooth groove. our coursework consists of the original of disorder vs. disaster on private gold.

vinyl only ! czr channel zoo recordings from ibz deliver the belearic vibes to us - its time for michael james to introduce the label with some classic pumping vocal house - movin! already the most forward thinking music project ever to hit the island of ibiza, channel zoo was initially an event offering a variety of cutting edge new sounds, provided by the unrivaled underground house and techno record labels of the future. with rapid development from ibiza into hosting channel zoo events at the most prominent clubs in europe featuring only the best artists it was only a matter of time before a serious imprint was established.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

nicholas bussmann has shed his skin once again, now transforming into nicholas desamory to release >like you< - a house album of such warmth and rough elegance, it will leave the scene all excited.
comes as double 12 inch vinyl in gatefold cover, including code for free mp3 download of the full album.

the boys are back ... back with another banger too. definitely the best little label doing the rounds around these parts of late. viennas luv shack records continue with the good groove venturing once again into suspenseful house and disco.
this time the turn of lesale to pull out the big thick juicy drums and chunky basslines for which luv shack is making a very respectful name for itself. guaranteed heavyweight thump when you flop the needle to the left side every time with the luv shack.

longtime friends, label partners and now collaborators seph and jeremy p caulfield team up to once again demonstrate their synergistic telepathic working methods. virtues & vices is a 4 track ep featuring solo work form argentinian wunderkind seph as well as two more tracks written & produced together with jeremy p caulfield. across oceans and continents the ideas of two studio wizards take shape. virtue & vices is a raw yet rocking dubby expedition into peak-time tripped magic.
pressed on translucent vinyl.

just three months after the dropping of the 100percent analog tracks roland rat / brain storm (bnr075) we proudly presents two idiosyncratically interpretations by 2 legends in electronic music roland rat got reworked by techno pioneer and our hero lfo (warp records), who sampled the rat and moduled it to death. the second remix comes from >the baron of techno< dave clarke together with mr jones, who turned >brain storm< into a straight and dark pumpin monster. enjoy!

the dutch lowriders collective present a mini album by spanish producer slam funk!. this record is strands maiden voyage into funk sounds from the 70s and 80s with an unconservative spirit. slam funk! is not a look back to the past but a vision of what today and the future could be like. mixing up old school funk vibes and instruments with modern sounds and vocoders. 8 tracks drenched in that computer funk we know of the lowriders.
strand delivers a cool synthetic slice of funk on purple coloured 12 inch vinyl.

following the amazing debut ep from yse saint laurant, we have the long-awaited follow up after releasing the incredible >abah dabah dis< on ppflimited, yse expertly handled the debut on pickpocket & now returns with the monster erasmos a mid-tempo throbber of the highest order mysterious newcomers fence handle proceedings on the flipside, letta from soweto is a dub rework of the afro-balearic beauty >normalizo< while yebo ! takes on an early 80s b side from art of noise, skillfully reworked into a super chunky slo-mo, chant laden frugger.

played and supported by chris liebing, dvs1, marcel fengler,inigo kennedy, bas mooy, oscar mulero, truncate, markus suckut and more.kike pravda presents his first release on his own label called senoid recordings, including a remix of ben sims. the vinyl starts with the track exalt.it includes a roland 909 very processed, aggressive and distorted sound until the end, accompanied by a sequence of a dark bassline and dynamic,which kike pravda takes it to the limit of its frequencies in constant evolution.a track that makes it the letter of introduction of senoid. in b side, ben sims remix scared to the most pure style of mr ben. hi-hats unstoppable, unmistakable grooves,giving back to the sounds of the original, essential for its most faithful followers.closes the record the original version of scared, a continuous arpeggio with an accompaniment of a 909 ride pure, brilliant, subtle.scared evolves from beginning to end, with touches of dark, analogic, atmospheres and glitches, which turns it into a space trip.

hollands fah aka robin de bekker enters the scene with this heavy, braindance inspired five tracker. opener fine space is spooky and upbeat with false melodies fighting the tracks ground level acid bubbles.bonus orbits starts off as a fast electronic harpsichord cut for a smart dance floor before turning into a hectic swamp of challenging harmonies.sixears is a shorter track holding the middle ground between a moody elecktroids tune and hectic, vibert-like acid. the eps title track and centerpiece then, is characterized by rewinds, whistles, haunting melodies and a total lack of repetition, its a 9 minute long excursion into the most unreal part of bekkers mind. fah finally says goodbye with an eerie cut that sounds like a humming predator with no food to eat. fahs first one for 030303 comes with appropriate, occultist artwork.

deep floors vol. 1 is the first installment of a various artists series, combining the dancefloor energy and the mental deepness of proper techno. volume 1 delivers 4 deep techno tracks by irelands lee holman, swedens pehr genlogue, italys roberto bosco and belgiums searle. sonically the release ranges from mental cerebral trips to deeper detroitish grooves. lee holman and roberto bosco deliver two hypnotic mindfuck tools while perh genlogue and searle dive more into deeper stripped techno.

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

hugo is back! gomma records berlin posse is busy. hugo capablanca - resident dj at broken hearts club and man of los massierias joins forces with swedish amigo t. keeler. the second one for gomma. they started with an epic flamenco percussion disco track last summer - now they go deep into proto electronica. dreamhouse… balearic you can call it. its the greyness of berlin winter days with the warm waves of south spanish beach evenings. check also the name in lights remix of ???

in the 18 months since his brilliant debut release for we play house, luv jam has been steadily building his profile with a number of releases, and now he returns on vibrations with his first full ep of material since that auspicious first record. the eps a-side is a typically lush foray into stripped back, slo-mo house, with opener tough future utilizing little more than a 303 bassline and 909 kick to slowly build up to its raindrop crescendo, and >rubber band< employing a number a dreamy synths atop its tense, gurgling bass. the pace picks up on the b-side with >last floor hotel (mega mix)< upping the tempo and going into full on acid mode, with its furious pace accented with frenetic cowbell hits and industrial textures. the ep closes with >elastic band< a deeper excursion into jacking house, characterized by its flurry of handclaps, weighed up by its rubbery bassline.

nice price deal !!! sects third and final sampler for the >its all for you< compilation ends on a bittersweet note, seeing the last release from sect favourite grovskopa, who has decided to retire following the closest of near death experiences. the a-side features lags remix of his sect classic >atopic<, reworking the lurching bass and broken-beat rhythms of the original into a hypnotic number with a fractured synth melody. the b-side sees >62:02<, a brittle yet powerful track with churning bass which recalls drexciyas classically hard edged approach, combined with hazy orchestral sweeps - a fitting swansong for a great producer.

nice price deal !!! prime numbers welcomes newcomer nick sinna for release number 13 on the imprint. hailing from manchester and long time friend of label boss trusme, nick has been best known for his deep, melodic dj sets. showcasing his hypnotic style, as well as a broad spectrum of influences, this 4 track ep is a heavy hitter from start to finish. jumping into it with a nod to the past, >voyager< will have you traversing down a boundless wormhole with its acidy groove. big room sirens and lumbering snaps drive through the eps b side on >kick the habit<. on record two, nick shows us his softer side with blissed out 9 am anthem >momentary<, while >real time< completes the ep on a dark and entrancing note.

the mysterious artist abdulla found his home base on prologue and we are very happy about this. abdullas hypnotic touch fits exactly into the philosophy we live and love. his debut vinyl release weldiya reflects the compelling sound therapy for electronic music enthusiast prescribed by prologue. starting smooth to adjust, abdulla enters the realm of acid driven entrancing beats and closes with overwhelming sound carpets

our little dutch sun god onno knows best how to make the kids shine, and as expected, hes put together a breakwater just in time for beach season: whatever makes you happy glides on on the crest of the a1 groove with a heavy-duty surfboard. its laconic vocal work and dynamic drum rolls are echoed in the remix by nicola jah at coordinates b2. this italian producer dives into stiller waters, which of course run deep down into the vibrant ocean of sound. for the b1 onno provides similarly strong dancing material, shooting pool on the sundeck of his boat and knocking “8ball” into the hole of victory. finally, magit cacoon, our latest roster addition and the first woman on deck of the uy vessel, cruises via the digital route for her debut, an utterly deep remix of whatever makes you happy with bass that sets uy061s sails toward a blissful ending to the voyage

morphine twists into a new phase - killer electronics tip!

following up after the mental drop by detroits master of repetition, population one, we have a new signing hailing from the land of the rising sun, helping us to set the standards for this new imprint— uncompromised techno funk! japanese producer imugem orihasam has spent the past 3 years slowly evolving. his early work on ilian tape and esperanza sounds like that of an already seasoned craftsman digesting detroit bit by bit, with a focus on lush textures and swooning eerie melodies. this past year has seen a spike in activity for imugem, with releases on patrice scotts sistrum recordings, berlins nsyde, and adam marshalls new kanada—all showcasing a more focused and exuberant approach that has sharpened his reflective compositions. with gem, imugem steps away from the supple melodies and tranquil atmospheres for a trip deep into the power plant.

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

killer release on new yorks sequencias label. powerful and hypnotic chicago acid inspired cut on the a and a cool slow building chord driven track layered over raw drum rhythms on the b-side. recommended!! label promo text: sequencias does not stop, does not conform, takes no prisoners. our third release brings you a pair of artists from two different points along interstate 94, who have a reputation for the very same. so lets get to it. the main body laid down by villan x is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. foreboding tones and feelings drift towards us across which the disembodied voice of kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated organ chords, but doesnt leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. this provides for the body and the mind. act fast though, sequencias does not like to rest.

some of you may and some of you may not know that the dance music community lost an incredible talent close to a year ago. that person was not only an incredible talent, he was also my friend.

miles sagnia gets into some acid business, carlos nilmmns aka ross mcmillan drops some lush deep house, opolopo gives up analog madness with killer drums, shane linehan remixes dave pezzners >waking up then going back to sleep<.

our friends in nyc just keep on delivering the goods! lee douglas re-vamps another duo of lost curiosities, with the a side offering up striding, synth soaked euro-disco & the b taking us into teutonic punk-funk mantra territory.